... Caravaggio The Conversion Of Saint Paul Poster Reproduction Giclee Canvas Print. The Conversion of Saint Paul is the second of Caravaggio’s paintings to depict the moment of Saint Paul’s revelation. The Decapitation of Saint John the Baptist, The Decapitation of Saint John the Baptist, 1607, Salome with the Head of John the Baptist, 1607. Analysis of Conversion on the way to Damascus Widely regarded as one of the best artists of all time, Caravaggio is famous for introducing a revolutionary style of naturalism, which marked a complete break from Mannerism and outshone even the classicism of Annibale Carracci (1560-1609). Along with The Crucifixion of Saint Peter, it was one of two pieces commissioned by Monsignor Tiberio Cerasi in September 1600. According to Caravaggio's early biographer Giovanni Baglione, both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today. 1571, Caravaggio, d. 1610, Porto Ercole) The Conversion of St. Paul 1600 Oil on cypress wood, 237 x 189 cm Odescalchi Balbi Collection, Rome In 1600 Caravaggio received the commission for two paintings on cypress panel, one (Conversion of St. Paul) for the new chapel in Santa Maria del Popolo. Finally, whatever questions have been The Original Size is 237 cm height x 189 cm width. The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. raised about this picture, the brilliant/attura is undeniably worthy of Caravaggio himself; virtuoso details such as the helmet or the old soldier's sleeve require a hand as skilled as his. He wrote that the first pair was rejected because the donor, Monsignor Cerasi, did not like them (therefore they must have been (I Corinthians 9:1). The original painting is a Portrait oil on canvas. The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome.It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul.Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo.. The Conversion of Saint Paul (Caravaggio): | | The Conversion of Saint Paul | | | Italian: ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Oil painting on canvas from 1601. Caravaggio Print (The Conversion of Saint Paul - Plate F2). Caravaggio depicted Saint Paul at the moment of his conversion, lying on his back with his hands thrown up in … This work is linked to Acts 9:4. Baglione had good reason to hate Caravaggio, so his statement may be suspect, particularly when unconfirmed by any other source as close to the scene as he was. March 20, 2016 Scala / Art Resource, NY Michelangelo Merisi da Caravaggio (1571–1610) painted The Conversion of St. Paul to be paired with Crucifixion of St. Peter and to establish a theme of suffering in the private chapel of Monsignor Tiberio Cerasi, treasurer general under Pope Clement VIII, in Santa Maria del Popolo in Rome. Caravaggio treated both themes with extreme austerity and simplicity. Caravaggio Print (The Conversion of Saint Paul - Plate F2). The Conversion on the Way to Damascus (Conversione di San Paolo) is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. Caravaggio, The Conversion of St. Paul (also known as The Conversion of Saul), c. 1601, oil on canvas, 230 x 175 cm (Cerasi Chapel, Santa Maria del Popolo, Rome) $20.89. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. The message is conveyed eloquently by One of the most famous Christian paintings of the Baroque period, Caravaggio’s The Conversion of Saint Paul or The Conversion on the Way to Damascus depicts the conversion of the famous Christian saint as he fell blinded from his horse on the way to Damascus. 1701, when it was in Genoa bequeathed by Francesco Maria Balbi, from whose heirs it eventually passed to Prince Odescalchi. The painting, together with a Crucifixion of Saint Peter, was commissioned by Monsignor (later Cardinal) Tiberio Cerasi, Treasurer-General to Pope Clement VIII, in September 1600. Traditionally painters have represented this scene as a conversion of st.paul by caravaggio. All Rights Reserved. Nevertheless, most scholars are satisfied that this is the first version of the Conversion of Paul. The intricately packed composition, which by itself seems so contradictory, is remarkably similar to the tangled left A beam of light shines from the right side of the canvas highlighting St. Matthew and the seated group. The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. The source of light from the right, as in the final version, would Caravaggio: The Conversion of St. Paul, c. 1601 The baroque vision is the vision of an age in which the study of physical sciences emerges. It is not specifically documented until This article is about the painting by Caravaggio now in the Odescalchi Balbi Collection of Rome. CARAVAGGIO’S CONVERSION OF ST PAUL January 21st 2020 “The Conversion of St Paul”, Caravaggio, 1602, Santa Maria Del Popolo, Rome. The painting records the moment when Saul of Tarsus, on his way to Damascus to annihilate the Christian community there, is struck blind by a brilliant light and hears the voice of Christ saying, "Saul, Saul, why persecutest thou me?...And they that were with me saw indeed the light, and were afraid, but they heard not the voice..." (Acts 22:6-11). Caravaggio the Conversion of St. Paul. Elsewhere Paul claims to have seen Christ during a vision, and it is on this basis that he grounds his claim be recognised as an Apostle: "Have I not seen Jesus Christ our Lord?" The old bearded soldier, Christ, and the boy angel are familiar Caravaggio models, and the landscape is similar to that in The Sacrifice of Isaac. Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. For other uses, see, Conversion of Saint Paul by Caravaggio (Odescalchi), Conversion of Paul the Apostle (disambiguation), The Conversion of Saint Paul on the Road to Damascus, Portrait of a Courtesan (Fillide Melandroni), Madonna of Loreto (Madonna dei Pellegrini, Pilgrims' Madonna), Madonna and Child with St. Anne (Madonna de Palafrenieri), Portrait of Alof de Wignacourt and his Page, Nativity with St. Francis and St. Lawrence, https://en.wikipedia.org/w/index.php?title=The_Conversion_of_Saint_Paul_(Caravaggio)&oldid=963385335, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 June 2020, at 14:46. dramatic, even terrifying, divine intervention in the affairs of man, manifest to Saul and his companions by the appearance of Christ in the heavens. 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