Because of that, it is of absolutely no consequence whether you are standing near the beginning or near the end already — before you, there is a journey that will never end. Despite the lack of canonical consensus today as to which filmmakers should be counted as the true greats, one can make … However, I do find that in Italy there is far too much discussion and arguing over the financial aspects of this type of work, of filmmaking.”. He risks his life by slipping in between the marshy front lines. I love it when Tarkovsky tries. However, like all of the Tarkovsky films that I … Where Kubrick’s film looked towards the fourth dimension to imagine something existing beyond man, Tarkovsky was more interested with Solaris in depicting one man and his personal journey through space, and how that intersects with ideas of grief and self-identity. Because the path is infinite,” Tarkovsky said. Anyone looking for easy resolution, or contact with a different species, better turn away, as in its slow rhythms Tarkovsky is less interested in what may constitute alien life than what may constitute human life, by far the harder question. From the very first scene with the hot balloon to the intense battle sequences — replete with real animals being murdered for the sake of cinema — Andrei Rublev sees Tarkovsky at his most expansive and expressive. It's faster paced and more accessible, that's a 5 star film in my books. Things start to get rather more interesting however, when he meets a local man named Domenico — played by Erland Josephson —who endlessly attempts to get across a mineral pool whilst holding a lit candle. He is like a blind man. Mirror, for example, has a scene, a shot, which could very well have been filmed by Bergman. We cannot say for sure what it means, but in the attempt to poeticise the futility of man, he reveals to us our true nature in all its glorious complexity. We see him plant a tree on his birthday, imbued with the knowledge that this tree will live long after his death. I feel terrible. I don’t even know what it originates from. Solaris, considered one of the greatest films in the history of cinema, marked a significant change in the approach to the genre of science fiction. Just that statement is enough to merit a place on any list but it does not do the film justice at all. Nonetheless, even from his early age, his mastery of non-traditional cinema was already seen to be blossoming in full form. Then I decided that it wasn’t important. Switching between three time periods, pre-World War Two, War Time, and after the War, it is a portrait both of the nation and the man, making it one of the greatest depictions of the Soviet Era. Also like that film and its mysterious planet, “The Zone” is not what it seems, with the final Room perhaps unable to grant people what they want. Tarkovsky's films are equally full of quirk: objects that float, an obsession with water, transitions from black-and-white to color without warning, and long pans of art. Never in cinema has the value of faith in committing good deeds been so well-rendered. Stalker is the best film of Andrei Tarkovsky, one of the greatest filmmakers in the history of cinema. The extras on this DVD are valuable. I can’t even think of getting out of bed, or even of sitting up,” Tarkovsky wrote in his journal a few weeks before his death. Is there someone who can give me some recommondations? Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲɪr]) is a 1979 Soviet science fiction art drama film directed by Andrei Tarkovsky with a screenplay written by Arkady and Boris Strugatsky, loosely based on their 1972 novel Roadside Picnic.The film combines elements of science fiction with dramatic philosophical and psychological themes.. Just that statement is enough to merit a place on any list but it does not do the film justice at all. Between 1962 and 1986, Andrei Tarkovsky directed a mere seven feature films, and every single one of them was greeted as a major work. Made during a great time for Soviet WW2 cinema, including The Cranes are Flying and Ballad of A Soldier, Ivan’s Childhood is Tarkovsky’s brilliant announcement to the world of film that there was a new auteur on the block. What Andrei later learns about Domenico is that he harbours a great secret, leading to an intriguing interrogation into the nature of mankind. That is why I strived to express tragedy by describing the inner world of a young boy.”. Stalker (1979) 5. Famous for never showing the famous icon painter at work, Andrei Rublev instead seeks to understand the soul of an artist through the way that he lives his life. Stalker is one of my top 3 favourite films of all time (with Mirror not far behind) but both films are quite challenging. Basically, editing is the way you organise the rhythm of a film. “ I cannot draw a line between my films and my life. Initially banned by the Soviet Union upon its release, as its religious content was in contradistinction to Soviet atheist propaganda, the 205 minute long film is a expertly rendered depiction of a country going through a period of intense change. Only briefly see, but the message of the most important thing is limit... Reality. ” – Andrei Tarkovsky seems self-aware and intelligent, yet she does do! 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